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chevron_right DZOFilm Arles FF/VV Prime Cine 6-Lens Set (ARRI PL)
DZOFilm Arles FF/VV Prime Cine 6-Lens Set (ARRI PL)
DZOFilm Arles FF/VV Prime Cine 6-Lens Set (ARRI PL)
575,000 EGP   665,000 EGPSku: dzofilmarlesffvv
DZOFilm Arles FF/VV Prime Cine 6-Lens Set (ARRI PL)
14 % Availble On PreOrder

DZOFilm Arles FF/VV Prime Cine 6-Lens Set (ARRI PL)

575,000EGP
665,000EGP
  • Availablity : In stock  
  • Sku : dzofilmarlesffvv
  • Brand: DZOFilm

  • Key features

    • Full-Frame | T1.4/1.9 to T22 Aperture
    • 18, 25, 35, 50, 75, and 100mm Lenses
    • Painterly Look, Smooth Bokeh
    • 0.8 MOD Gearing/270° Focus Rotation
    • 95mm Front Outside Diameter
    • 16-Blade Iris, M86 Filter Thread
    • Antireflective Micro Coating
    • Vivid, True-to-Life Color Reproduction
    • Minimal Spherical Aberration
    • Includes Lens Case
Description
DZOFilm Arles 18mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
Cinematic, Painterly Look
Equip your full-frame ARRI PL-mount camera with the Arles 18mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture consistently sharp, natural-looking imagery. This prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and an arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh and high-quality imagery.
Large-Format Coverage
  • The Arles series lenses have a 46.5mm image circle, providing compatibility with large-format sensors, including full-frame and VistaVision cameras.
  • The resulting increase in light transmission creates enhanced depth and dimension in your images.
  • Painterly Rendering
    Use the Arles series lenses at maximum aperture to create a soft, lower contrast look with slightly swirling peripheral bokeh. A multilayer nano coating enables precise flare control, minimal ghosting, and exceptional color accuracy.
    Minimal Breathing and Aberration
    • Floating elements minimize breathing during focus shifts.
    • The inclusion of aspherical elements helps to improve low-light capture.
    • Precision manufacturing includes low-dispersion optical materials that reduce chromatic aberration.
    Interchangeable PL Mount
    This ARRI PL-mount lens can be used with a separately available Canon EF mount, offering compatibility with a wide range of cine-style, mirrorless, and DSLR cameras. The Arles lenses are compatible with KOOP magnetic rear filters and various optical adapters.
    Consistency Across Series
    A 95mm outer diameter lets you incorporate different matte boxes or filters into your camera configuration. Each lens in the Arles series has a cine-style design with 0.8 MOD focus and aperture gears. Thanks to similar gearing and outer diameters across the range of lenses, switching between focal lengths is a breeze. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.
  • DZOFilm Arles 25mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
    Cinematic, Painterly Look
    Equip your full-frame ARRI PL-mount camera with the Arles 25mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture consistently sharp, natural-looking imagery. This prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and an arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh and high-quality imagery.
  • Large-Format Coverage
    • The Arles series lenses have a 46.5mm image circle, providing compatibility with large-format sensors, including full-frame and VistaVision cameras.
    • The resulting increase in light transmission creates enhanced depth and dimension in your images.
    Painterly Rendering
    Use the Arles series lenses at maximum aperture to create a soft, low-contrast look with slightly swirling peripheral bokeh. A multilayer nano coating enables precise flare control, minimal ghosting, and exceptional color accuracy.
    Minimal Breathing and Aberration
    • Floating elements minimize breathing during focus shifts.
    • The inclusion of aspherical elements helps to improve low-light capture.
    • Precision manufacturing includes low-dispersion optical materials that reduce chromatic aberration.
    • Interchangeable PL Mount
      This ARRI PL-mount lens can be used with a separately available Canon EF mount, offering compatibility with a wide range of cine-style, mirrorless, and DSLR cameras. The Arles lenses are compatible with KOOP magnetic rear filters and various optical adapters.
      Consistency Across Series
      A 95mm outer diameter lets you incorporate different matte boxes or filters into your camera configuration. Each lens in the Arles series has a cine-style design with 0.8 MOD focus and aperture gears. Thanks to similar gearing and outer diameters across the range of lenses, switching between focal lengths is a breeze. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.
    • DZOFilm Arles 35mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
      Cinematic, Painterly Look
      Equip your full-frame ARRI PL-mount camera with the Arles 35mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture consistently sharp, natural-looking imagery. This prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and an arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh and high-quality imagery.
    • Large-Format Coverage
      • The Arles series lenses have a 46.5mm image circle, providing compatibility with large-format sensors, including full-frame and VistaVision cameras.
      • The resulting increase in light transmission creates enhanced depth and dimension in your images.
      Painterly Rendering
      Use the Arles series lenses at maximum aperture to create a soft, low-contrast look with slightly swirling peripheral bokeh. A multilayer nano coating enables precise flare control, minimal ghosting, and exceptional color accuracy.
    • Minimal Breathing and Aberration
      • Floating elements minimize breathing during focus shifts.
      • The inclusion of aspherical elements helps to improve low-light capture.
      • Precision manufacturing includes low-dispersion optical materials that reduce chromatic aberration.
      • Interchangeable PL Mount
        This ARRI PL-mount lens can be used with a separately available Canon EF mount, offering compatibility with a wide range of cine-style, mirrorless, and DSLR cameras. The Arles lenses are compatible with KOOP magnetic rear filters and various optical adapters.
        Consistency across Series
        A 95mm outer diameter lets you incorporate different matte boxes or filters into your camera configuration. Each lens in the Arles series has a cine-style design with 0.8 MOD focus and aperture gears. Thanks to similar gearing and outer diameters across the range of lenses, switching between focal lengths is a breeze. The focus ring rotates 270°, and the iris ring 80° for intuitive manual adjustments.
      • DZOFilm Arles 50mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
        Cinematic, Painterly Look
        Equip your full-frame ARRI PL-mount camera with the Arles 50mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture consistently sharp, natural-looking imagery. This prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and an arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh and high-quality imagery.
      • Large-Format Coverage
        • The Arles series lenses have a 46.5mm image circle, providing compatibility with large-format sensors, including full-frame and VistaVision cameras.
        • The resulting increase in light transmission creates enhanced depth and dimension in your images.
        Painterly Rendering
        Use the Arles series lenses at maximum aperture to create a soft, low-contrast look with slightly swirling peripheral bokeh. A multilayer nano coating enables precise flare control, minimal ghosting, and exceptional color accuracy.
        Minimal Breathing and Aberration
        • Floating elements minimize breathing during focus shifts.
        • The inclusion of aspherical elements helps to improve low-light capture.
        • Precision manufacturing includes low-dispersion optical materials that reduce chromatic aberration.
        Interchangeable PL Mount
        This ARRI PL-mount lens can be used with a separately available Canon EF mount, offering compatibility with a wide range of cine-style, mirrorless, and DSLR cameras. The Arles lenses are compatible with KOOP magnetic rear filters and various optical adapters.
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